Along a chain of mutual transformations, Katharina Haverich & Christopher Hotti Böhm develop a psychogeography of physical couple relationships and techno-fetishist gender images. In the basement of the Alte Münze they find their gloomy playground on which they build a technical-alchemical production laboratory for reciprocal treatments and inflictions. The sound of glass bones shattering under high heels cuts into the postmasculine mechanical music. Fragility, care, togetherness, opposition and functional brutality determine their wordless encounter.
12,00 € · reduced 10,00 €
Katharina Haverich: concept, design, performance
Christopher Hotti Böhm: composition, machines, performance
Holger Heissmeyer: programming
A production by „BAM! – Berliner Festival für aktuelles Musiktheater“
Funded by AADK Spain Residenz, fleetstreet Residenz, Goethe-Institut, Rudolf Augstein Stiftung and Hamburgische Kulturstiftung